Known as India’s greatest poet and dramatist in Sanskrit, Kalidas lived during the 4th and 5th centuries AD, during the reign of Chandragupta II Vikramaaditya and his successor Kumaragupta.
Not much is known about his personal life, but legends abound. One such legend says that, one day the townsfolk saw a young boy sawing off a branch sitting on the wrong side of the branch. The boy eventually tumbled and fell off the tree; his stupidity soon became common knowledge.
The pundits of the town meanwhile wanted to play a trick on the arrogant princess, who had decided that she would marry only the wisest man in the city. They presented Kalidas to her and asked him to pretend that he had taken an oath of silence. When the princess asked him questions, he gesticulated widely, which the pundits interpreted as extremely witty answers. The princess was impressed and agreed to marry Kalidas; alas, she soon realized that she had married a dimwit and threw him out of her palace and life.
A despondent Kalidas went the riverbed; there he watched women washing clothes. He noticed that the stones, which were struck by the clothes, were smooth while the other stones where still rough. So, he thought to himself, if clothes could smoothen a rock, why couldn’t his brain change?
Kalidas then began indulging in intellectual pastimes and prayed to Kali, to grant him divine knowledge; he was determined to become a scholar. Soon enough, the goddess fulfilled his wishes and Kalidas became one of the greatest scholars of all time.
Kalidas’ works
Kalidas’ works include four poetic works: Raghuvamsha, Kumarasambhava, Meghaduta, and Ritusamhara; three plays: Vikramorvasiya, Malavikagnimitra, and Abhijnanasakuntala. Several other works have also been attributed to him; these range from poetics and astrology to mathematics and astronomy. Kalidas was also known to have an encyclopedic knowledge of ancient India’s arts, sciences and culture.
Raghuvamsha (the dynasty of Raghu) – Consisting of nineteen chapters or sargas, Raghuvamsha deals with the lives of the kings of the Ikshvaku dynasty of north Kosala, to which Rama belonged.
Kumarasambhava (birth of Kumara) – This work describes the courtship and eventually marriage of Lord Shiva and Parvati. The gods desired this union for they needed Kumaraa, who could destroy the demon Taaraka. Kaama, the god of love is summoned to instill love in Shiva (who is sitting in meditation) in Parvati. An angered Shiva turns Kaama to ashes, but the arrow has found his mark and Shiva falls in love with Parvati.
Meghaduta (the could messenger) – With no storyline as such, Meghaduta, as the titled suggests is the description of a cloud messenger. With exquisite descriptions of places, sentiments and people, this poem is considered exquisite. The broad storyline revolves around a Yaksha who is banished to Ramagiri for some offence; unable to bear the separation from his wife, the lovelorn Yaksha implores a passing cloud to carry the message to his wife.
Ritusamhara (description of the seasons) – As the title, suggests Ritusamhara is a description of the changing seasons. Some consider his style in this poem as untypical of Kalidas with rather exaggerated and overly exuberant depictions of nature.
Malavikagnimitra (Malavikaa and Agnimitra) – This play concerns a palace intrigue. It tells the story of the love of Agnimitra of Vidisha, king of the Shungas, for the beautiful handmaiden of his chief queen. The handmaiden is later discovered to be of royal origin and is accepted as one of his queens.
Vikramorvasiya (Urvashi won through valor)- Based on the old legend of the love of the mortal Pururavaas for the heavenly damsel Urvashi, this drama relates the account of how king Pururavas rescued the nymph Urvashi from the demons. But summoned by Indra he is obliged to part from her. Here, Kalidas describes the madness of the demented lover Pururavas in search of his beloved. After many trials the lovers are reunited.
Abhijnanasakuntala (Shankuntala) – Considered his masterpiece and his most well known work, it was the first play to be translated in English. The story revolves around King Dushhyanta, who meets and marries the hermit-girl Shakuntalaa, while on a hunting expedition. But obliged by affairs of the state, he returns to his palace; before leaving, he gives Shakuntala his signet ring, promising to send for her later. But when Shakuntalaa comes to the court, pregnant with his child, Dushhyanta fails to recognize her, owing to a curse. The spell is subsequently broken, when the ring he has presented to her (and which Shakuntalaa had lost on her way to the court) is discovered and presented in the court by a fisherman.
In his works, Kalidas has captured the beauty of life in its entirety; his word power is considered unique and unparalled. Intellectuals are still hewing at his work, drawing different meanings with each new reading.
Experts have classified Kalidas’ poetic style as Vaidarbhi; it is considered rather different from the styles used during the time. Kalidas uses very fine language and small compound phrases or samasas and apt similes. Kalidas is considered as the greatest poet of shringaar – romance and beauty. He was also a clever user of haasya or comedy and karuna or pathos.
It is assumed that Kalidas was also well-traveled; his descriptions of the landscape in Meghaduta stretches from Central India to the Himalayas, he also describes the people, their habits, professions in such details, which entails that only a person who would have visited these places in person could have described them with such accuracy. In his other works, he describes the meritorious and peaceful life of a hermit and the joys of marital life and the pangs of separation with equal masterly. His description of comic situations is also unsurpassed.
His writings have been translated in several languages.